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F. Chopin: Mazurka Op.7 No.4
The last of the mazurkas from opus 7 in A flat major is: […an unquestionable cliché of folk music…Tadeusz Zieliński wrote that this Mazurka was ‘taken note for note from folklore’] according to professor Mieczysław Tomaszewski, This Mazurka was dedicated to Paul Emile Johns, a composer, known as the first who performed a Beethoven piano concerto … Continue reading F. Chopin: Mazurka Op.7 No.4
J S Bach Fugue No. 1 in C major, BWV 846, from Bach’s Well-tempered Clavier
The Fuga is one of the most complex and original compositions of J.S. Bach. This genre is characterized by the imitation where voices enter like a “relay race”. We can find in it the exposition in the first 6 bars, the counter-exposition at bars 7-10, the six Stretti, a tonic pedal at bars 24-27 and … Continue reading J S Bach Fugue No. 1 in C major, BWV 846, from Bach’s Well-tempered Clavier
F. Chopin: Mazurka Op.7 No.3
The Mazurka Op.7 n.3 is the only one in the set to feature no repeats. It returns to a folkish and rustic surround. The scene opens pianissimo with a sound like a bagpipes, then an Oberek appears as the principal theme. This is followed by a Kujawiak, interrupted by the violent entrance of a Mazur … Continue reading F. Chopin: Mazurka Op.7 N.3
F. Chopin: Mazurka Op.7 No.2
Mazurka Op. 7 No. 2 was composed by Chopin in a minor key. It has an intimate sound and sometimes tends to be grateful. The central part instead seems to evoke a piece of medieval festival music with a trumpet ring. In fact, in the album of Elsner’s daughter, Emilia was found in a previous … Continue reading F. Chopin: Mazurka Op.7 No.2
